Auestadt, Reiko Abe.
“Natsume Soseki’s Kojin (The Wayfarer) and Meian (Light and Darkness) Reconsidered.”
University of Oslo, 1994.

Chung, Chong-hae.
“Natsume Soseki: The Spiritual Basis of His Art.”
University of Minnesota, 1981.

Flutsch, Maria.
“The novels of Natsume Soseki’s “Middle road”: a critical examination of the development of Soseki’s thought and art in his creative writings from 1907 to 1910, with a detailed study of the major works of this period, the trilogy Sanshiro, Sore Kara, and Mon, and some investigation of Soseki’s artistic standpoint in relation to their dominant school of literature, naturalism.”
University of Sydney, 1974.

Diaz, Mary Elizabeth.
"The conflict between the novel and the eastern concept of the private self: The literary responses of Natsume Soseki and Mori Ogai (Japan)."
STATE UNIVERSITY OF NEW YORK AT STONY BROOK, 2002. 228 pp.
Advisor: Murata, Sachiko.

Fujii, James A.
“The Subject in the Modern Japanese Prose Narrative.”
University of Chicago, 1987.

Hio Noriko.
“The Influence of Victorian Literature Upon Japanese Literature of the Meiji Period.”
University of Exeter, 1989.

Kojima Shigeru.
“Career Change and the Life Course: The Case of Modern Japanese Writers.”
University of California, Berkeley, 1985.

McClellan, Edwin.
An Introduction to soseki, A Japanese Novelist.
The University of Chicago, Illinois, USA, 1957

Nakayama Etsuko.
“A Study of Conflict in the Life and the Later Novels of Natsume Soseki.”
University of Hawai’i, 1988. [AC1. H3 no.2327. 1988]

Lee, Stacy A.
“Dazai Osamu and Natsume Soseki: a Comparative Reading on Japan's Modern Mind.”
University of Hawai’i (MA), 1992. [CB5 .H3 no.2181. 1992]

Ogawa, Carole Cavanaugh.
“1916: A Year in the Life of Akutagawa Ryunosuke.”
Yale University, 1991.

O'Neill, Daniel Chuong.
Ghostly feelings in Meiji and early Taisho literature (San'yutei Encho, Tsubouchi Shoyo, Natsume Soseki, Shiga Naoya, Japan).
Yale University, 2003, 216pp.
Advisor: McClellan, Edwin.

Peterson, Cynthia.
“Contesting Authorities : Feminine Voices of Desire in Four Literary Texts by Natsume Soseki.”
Princeton University, 1995.

Reichert, James.
“Representations of Male-Male Sexuality in Meiji-Period Literature.”
University of Michigan, 1998.

Ren, Shyh-jong.
“Some English Influences on Natsume Soseki’s Criticism and Novels.”
University of Minnesota, 1979.

Ridgeway, William Nelson,
Gender, the body, and desire in the novels of Natsume Soseki (1867-1916), focusing on "Meian"(Japan). University of Hawaii, 2002, 241pp,
Advisor: Viglielmo, V. H.

Sparling, Kathryn.
“Early Natsume Soseki: Images and Patterns of the Absolute.”
Harvard University, 1974.

Summersgill, Harue.
“Natsume Soseki’s Higan sugi made: A Critical Study and Complete English Translation.”
University of Hawai’i, 1985. [AC1. H3 no1968. 1985]

Takahashi Tsutomu.
“Parallelisms in the Literary Vision of Sin: Double-Readings of Natsume Soseki and Nathaniel Hawthorne; Akutagawa Ryunosuke and Ambrose Bierce; Hagiwara Sakutaro and Stephen Crane.”
Pennsylvannia State University, 1991.

Tatsuguchi, Emmeline S.
“Letting Go.”
M.A. Thesis on Henry James and Natsume Soseki.
University of Hawai’i, 1969. [CB5 .H3 no.904]

Turney, Alan.
“Soseki's Development as a Novelist until 1907: with Special Reference to the Genesis, Nature, and Position in his Work of Kusamakura.”
British Library Document Supply Centre, 1978.

Viglielmo, V. H.
“The Later Natsume Soseki: His Art and Thought.”
Harvard University, 1956.

Wren, James Allan.
“Differences without Distinction: Ideology and the Performative Contexts of Fictional Self-Representation in Modern Japanese Literature (Mori Ogai, Natsume Soseki, Kawabata Yasunari).”
University of Michigan, 1997.

Yiu, Angela.
“Chaos and Order in the Works of Natsume Soseki.”
Yale University, 1992.